Friday, February 1, 2013

Roman Vienna Tools

 Vienna was once a Roman City.  Water came in aquaducts from the Vienna Woods, and boats cruised up the Danube River.  A large city grew up here.  The Roman city is still here, albeit pretty much underneath the present city. Since this is an armouring blog, I thought I would post some of the pictures of the tools which were used by those Romans far away!

Above a Fransica style curved axe, paired with a mattock.  The axe might have been a war weapon, though I doubt it, but it IS a little small to be a hatchet.  The hatchet below is more what I think of when I think of a hatchet.  The swept lines of the "beard" are a joy to behold!
      Click on the pictures to embiggen them, of course.  Feel free to download them and use them in your own collection. 


Below shows the very modern looking needles, and stuff for net making.  The antler shows all the wear one would expect from a career of net making.  


Below, a knife with a VERY robust tang.  Roman knives are almost never so robust, so this little knife was made for very heavy jobs.    The chisels we use today for cutting and shaping stone look exactly the same as the wide bladed one below!



Another mattock.  This one as well was made from iron, and therefore could not have been cast...the Romans never cast iron.  But this is a pretty heavy lump of iron!  Remember, iron was much more valuable then than now.



This beautiful adze is an absolute work of art! I wondered about that spine on the top face for some time, until I realized that the re-enforcing spine you can so clearly see does not come even close to the actual cutting edge.  

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Wednesday, January 16, 2013

Templar Video Game Armour




 click on the picture to badassenize.  

This was an email from Rico.....wants me to consider making the armour in the above pic.
Fascinating idea.

But problematic.  Could I MAKE such an armour?  Well, maybe....its not that spectacularly difficult.  Elaborate though. 

 By the way, you can get these pictures in a much larger size suitable for computer wallpaper here...

 Rico met me at Fan Expo, and this was was he emailed me...  I have juggled them to put the oldest at the top....
I dunno.  Any armour makers out there think I over quoted?    Should I get into this world?  That is to say, does anybody think there is a future in it?   I figure by the time I built this armour, it would be as obsolete as Gimli's helm in LOTR.    It would be old news rather quickly.  Or maybe not.  Any feedback? 



Quoting Rico
Hi Bill.  This is Gxxxxx.  We met at FanExpo2012.  I showed you the Templar


Knight Statue from the Hellgate London videogame.  How are you?  Can you
please give me a price and delivery on how much a full suit would cost,
and
what material you would make it out of?

How far is Metcalfe from Downtown Toronto?

Thanks  
Gxxxxx




On Tue, Sep 4, 2012 at 5:23 AM, William Fedun wrote:
Hellgate London is currently owned and distributed by HanbitSoft and
NAMCO.  It was originally published by Flagship Studios, and because
Flagship Studio is defunct, some people seem to think that copyright
regulations have lapsed.  They have not, HanbitSoft owns them through their
development studio in SanFransisco, Redbana.

Back in 2008, they released this report...

"(1) HanbitSoft is an exclusive licensee of both Hellgate and Mythos in
Asia, with rights to sublicense the games; (2) in addition, HanbitSoft is a
secured creditor who has been pledged the Mythos (but not the Hellgate)
intellectual property as collateral for a loan; (3) Comerica, another
secured lender, has been pledged the Hellgate intellectual property as its
collateral for a loan; (4) Flagship Studios does not currently own the
intellectual properties to either game, which are held in separate
companies subject to the security interests of lenders, and Flagship
Studios’ interest in those companies is also pledged to its lenders; (5) it
is unfortunate that Flagship turned down additional investments HanbitSoft
offered to make that would have allowed it to keep its doors open, but
HanbitSoft hopes to work with Comerica and some of the team at Flagship to
see if there is a way to continue to generate content to keep Hellgate
online in Asia and to finish the development of Mythos."]

Clearly now, we would have to contact HanbitSoft's attournies to obtain a
licence to build an armour based on their intellectual property. Since they
are in Korea, this may prove to be problematic.

http://hg.hanbiton.com/Home/**Home.aspx<http://hg.hanbiton.com/Home/Home.aspx>

Such licensing fees may be cheap, or expensive, depending on many factors.
You must obtain a licence before I can make this armour.



A suit this large would require a design work-up out of cardboard.
Several fittings later, we would have the first of many collections of
templates.

  Then the second step is to make the individual pieces out of steel.
This is the design test stage, which is used to modify the templates.
This is still part of the alpha design, and none of the steel is actually
used in the final product.  (edges are not finished, hammer marks are not
removed, etc.)

The third step is to fit it to you, the wearer.  This will require
modification of sizes and dimentions, and a decision on materials.  A
jouster would require heavy stainless steel and an actor would require
light aluminum for instance. Material selection will have an effect on the
time it takes to do this work.  Factors used in materials selection would
depend upon how much maintenance you would be prepared to do...aluminum
will be forever denting.  Steel will be forever rusting. This third step is
the final set of cardboard templates.

The forth step is the simple one...actually MAKING the armour. This would
be a beta version and might well require some modifications to keep it from
pinching you or otherwise render it unsuitable.  Such modifications will
allow me to deliver a serviceable package.

And then there are the license fees.  There were representatives of NAMCO
at Fan Expo, keeping an eye on costumes and making sure that nobody was
ripping off their work.  They don't care about one person doing themselves,
but they REALLY care about a company such as me making them for sale to
somebody else.

I could make you a perfect templar armour exactly like the one in the
video game out of steel for twenty to twenty two thousand dollars.  (plus
licensing fees of course.) The second one would be a lot less (about seven
thousand including helmet)  of course.  The work to accomplish this task
would take me five to six months of shop time.

Bill Fedun
Armour Maker


Quoting Rico

OK Bill.  Thanks for replying to my inquiry.  I'll see about getting the
license for the armour.  This may take some time and I'm not sure if I'll
be successful.  I'll let you know.

You seem to really know armour, and the quality of your work is amazing.
You're definitely at the top of my list.

How far is Metcalfe from Brampton?

Thanks again.

Gxxxxxxx


Easier to build you a car.....

Less complicated!

As you can see by my reply that I took this question seriously.  However, I suspect that there must be a reason why you would want to get such an armour.  A car...you can use to get around.  An armour?  An actor would need it as part of his job.  A jouster would need it as part of his job or hobby.  Advertising companies need armour to make movies or adverts.  I fear that this project may fall on the fundamental problem that there is actually no real use for it in real life.

OTOH, there is no real use for purebread horses, yet people get them anyways.  Oh well.  Let me know how the license hunt is going.

Bill


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Monday, January 14, 2013

Freidrich Kurfurst von der Pfalz 1450


 A complete armour (harnishe) built for a Burgundian in 1450.  It has that peculiar Burgundian style of helm, but Freidrich was not going to do everything in the Burgundian style...lots of good solid German stuff going on here as well. 




Details like the pointed elbow cop, the rondel, are very German, whereas the plain shoulder is so reminicient of Belgium or for that matter, Burgundy.  


The very plain tassets are almost an afterthought, though you notice the slightly smaller back tassets are hung along side the front ones.  Very Burgundian French in their execution.  (The Burgundians never considered themselves to be either French, Belgian or German during this time, an opinion which was not shared by those fine countries at one time or another)   All in all, a very straightforward armour.




This closeup of the helmet just makes me cringe...somebody had to wear that!  

Oh well.  The long toes were the style at the time.  I always wondered if they tied the tips of their toes up to their knees with string!  Anyway, the whole story is down there...for anybody to do the translation.  

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Monday, December 24, 2012

Stirrups


 I will let these pictures of a set of stirrups in the Vienna Armour Museum speak for themselves.


 As usual, click on the picture to make it bigger




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Saturday, December 22, 2012

Spangenhelms

 Vienna Armour Museum, 2012.  The spangenhelms shown here are the finest I have ever seen.
Who wears spangenhelms?  Well, these ones were worn by migration period celts rather than the Romans. More information on Spangenhelms may be found here...this post is a short one designed to show the beautiful helms on display at the Vienna Armour Museum. 



Focusing closely on this magnificent gold plated steel helm, one is struck by the beauty of the symmetry, the incised decoration and the  careful use of precious iron.   This is the sixth century, the period in which the Romans are on the wane (in some places!), and young kingdoms are struggling to establish their personal image in a cultural vacuum. 
          The use of triangular shaped "spangens" is well known and to an armour maker, they look like they are better forged than chiseled out of flat steel.  The ones in the above example even look to a hasty eye to be cast, say, out of brass, but of course, they are not.  The rivets are all beautifully set round and proud, and of course the bottom row of rivets exist solely to attach the padding inside. 
            A more common type of helmet, one which is easier to make and in fact, creates less waste in production is the single wide strip which goes front to back, with a minimum of dishing.  A material like bog iron won't stand for much dishing or three dimentional deformation, so you find the below style to be more popular than the spangenhelm throughout the period from the 500 to 1100 AD.  The coppergate helm, for instance is built on the below pattern.  It looks much prettier, but the fundamental lines are the same.


These two sets are of the same helms, just from different angles.  They have been subject to a very interesting process which involves electrical rust removal.  I have done a little of that, the results always look interesting.  Folded steels will benefit most from this process, and you should pick pieces which are so rusty that there is simply no other way to clean the rust off.  



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Tuesday, December 11, 2012

Books, reference material







 Books.  There are so many.  Many are copyright...Brian Price's armour making volume, or Stone's Glossary are in print.  I recommend them.  It seems that nowadays anybody with a little bit of skill or knowledge seems to say to himself...gee, I could self publish this stuff.  And that is excellent, but lets face it, your book can get lost in the Amazon Noise!  Many of them are just picture books, coffee table books which look good but are not really very valuable if you want to really get into making armour.  Stylistic variations are often more the perview of antique dealers or artists rather than armourers, such books are excellent and beautiful.  David Edge's book about the Knight in the Middle Ages, for instance, is THE go-to book to make sense of all the styles and types of armour which were used throughout Europe, but good luck finding results of an assay on the metal, or a decent picture of the strap work which holds it all together inside!

    Many of the older ones are treasures from old bookshops,many were written by curators, and include catalogues of collections.  Some catalogues are VERY boring...I swear Mr. Edge wrote his fine book after he went cross eyed studying the un-illustrated catalogue of the Wallace Collection.  A phone book would be more interesting!

The Internet Archive is the finest resource I know for old, out of print, out of copyright books.  It is like the most wonderful library up the road!



 These have mostly all been scanned in, photograph by photograph.  There are a few missing or damaged pages, a few dog ears, a few coffee rings and bits of cigarette ash on the page when they photographed them.   I personally think this does not detract in the slightest from their value.





The internet archive is free.  Knowledge is priceless.  These are the books I downloaded onto my Kindle before I traveled to Europe to study the subject matter in the museums. 

There are lots more than this small sampling!  But if any of my readers get through even a fraction of this list, they will have a better handle on the subect than even Gary Gigax! 

http://www.archive.org/stream/cu31924032523841#page/n7/mode/2up

http://www.archive.org/stream/ancientarmouran00blaigoog#page/n4/mode/2up
http://www.archive.org/stream/ancientarmouran02hewigoog#page/n8/mode/2up
http://www.archive.org/stream/ancientarmouran03hewigoog#page/n5/mode/2up


http://www.archive.org/stream/recordofeuropean02lakiuoft#page/n9/mode/2up
http://www.archive.org/stream/recordofeuropean02lakiuoft#page/n9/mode/2up

http://www.archive.org/stream/recordofeuropean04lakiuoft#page/ii/mode/2up
http://www.archive.org/stream/recordofeuropean05lakiuoft#page/ii/mode/2up

http://www.archive.org/stream/treatiseonancien00grosrich#page/n7/mode/2up

http://www.archive.org/stream/inventorysurveyo02ffou#page/n5/mode/2up
http://www.archive.org/stream/inventorysurveyo02ffou#page/n5/mode/2up

http://www.kb.dk/da/nb/materialer/haandskrifter/HA/e-mss/thalhofer/thott-2_290.html
http://openlibrary.org/works/OL7574308W/A_glossary_of_the_construction_decoration_and_use_of_arms_and_armor_in_all_countries_and_in_all_time


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Saturday, November 3, 2012

Making armour



The picture says it all.

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Tuesday, October 23, 2012

Costume Armour



Two hours develping the pattern from client's sketch, (another two still to go to modify them to be useful in the future) two hours on the buffing wheel, and three hours to cut out and mount them.
    And a happy costume shop customer in Toronto.
           Now to get paid.  I hate rush jobs before halloween....little things like cheques and client approval letters get neglected.   Almost always to my detriment. 

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Tuesday, August 28, 2012

Vienna wotsthisthen?



Click on these pictures to enlarge them and see if you can figure out what they are.


Pretty cool hmmmm?   Check out the knuckle spikes! 

Sunday, August 19, 2012

Nesselbeck

I have seriously GOT to get here someday
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Tuesday, August 14, 2012

Quinn's Armour....redux

http://drocan.deviantart.com/






Clearly Quinn has found some admirers.  This armour was featured here a few months back.
    I didn't make the shoulders or leg armour though.

Please, go and check out Quinn's Deviant Art page.
http://drocan.deviantart.com/

Sunday, July 22, 2012

Music Video







http://www.youtube.com/watch?feature=player_embedded&v=zP50Ewh31E4#!


Why can we not do a music video like this one?









One of the many fights at the Osgoode Medieval Festival.  Thats me on the left, and Jeff, pretty much destroying Mark.

This little battle is a VERY good example of the South Tower fighting style...the "Glass Sword" style.  Watch it a couple of times, you will see how and why it works so well.









Tuesday, June 19, 2012

Traveling in the Deviant Art universe





J.... asked me if I could make her a nice sexy armour.    She linked me to a Deviant Art site which illustrated what she had in mind...and on the way, I visited several other sites.
     The mind boggles at how many ways there are to enclose the female form in steel.
    Well, the least I can do is to send my readers out to check out some of these links.  So please, spend a half hour surfing and let me know what you think!
     Please note that I have intentionally kept these AS links, rather than thumbnails.  As anyone who knows me well is aware, I am very fussy about copyright.  Links ain't copyright...grin!

     But I would be honoured to make ANY of these designs in my shop!



In Leather...     http://norn-fans.deviantart.com/gallery/25041437#/d4y52fg

One of me....   http://norn-fans.deviantart.com/gallery/25041437#/d4lakir

I like all the jewelry here...  http://norn-fans.deviantart.com/gallery/25041437#/d419rs1

moulded plastic?  ...    http://norn-fans.deviantart.com/gallery/?set=25041437&offset=24#/d4qmvon

I could SO see a lady in this....   http://norn-fans.deviantart.com/gallery/?set=25041437&offset=24#/d4qp4uo

I like the way the chain comes down in the back of this...  
http://norn-fans.deviantart.com/gallery/?set=25041437&offset=48#/d4joe6x

This one shows an innovative way to use a little cloth modesty top.  But its not very viking...
 http://norn-fans.deviantart.com/gallery/?set=25041437&offset=72#/d4anlx4

More along my usual line...   http://norn-fans.deviantart.com/gallery/?set=25041437&offset=120#/d3dwkkd

And just for fun....   http://norn-fans.deviantart.com/gallery/?set=25041437&offset=144#/d3g9je2

Thursday, May 31, 2012

metalworker's test















http://www.southtower.on.ca/armour/metalworker%27s_test.txt
      
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Sunday, May 27, 2012

advertising copy




I have a chance to advertise in some fairly high profile places...and I needed some advertising copy.  Well, I suppose there could be worse ways to spend a Sunday evening after five hours of standing and teaching class.  

I have played with some of my pictures and tried to get some advertising copy built up.  What do you think of these ones?    Too busy?  Too cutsey?   Too weird? Missing the point?   Or perhaps something different.  

What do you think is the best one?  Which one should I trash?
(Oh, and is my French  okay?  Its been awhile....I am thinking "armours" is spelled "les armeures...but I'm not sure.)



b
c
d
e
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Wednesday, May 9, 2012

Summer armouring schedules









Formal armour making classes.

So many people have asked me for them.  As I observe the people who make armour in my shop on Saturdays, I am struck by a couple of things...mostly that though the spirit is always willing

(and boy is it ever willing!), the knowledge base of how to make a good looking armour is simply not there.  Drill bits spin in their chucks, and rivets rattle. Breastplates are lumpy and

mis-shapen and sharp edges abrade skin.   Making armour is a skill, like typing or learning to drive, and what one person can do another person can learn how to do as well.

    I have never felt that by training people, I would be training my competition.  Far from it.  I would be training my collegues, and those who will be taking over from me, taking this art

to the next level and on to the next generation.  To this end, I have decided to schedule some formal classes. They are not cheap, nothing important ever is.  Yet they are not out of reach

either.

 I have built up a curriculum based on two day blocks, and I always add on an optional practice day on the end of it for you to finish off whatever project you started.  So you can expect two

hours of lecture to start each day, then its all On-Job-Training "hands on" after that.  The courses will be held in my shop in Metcalfe.  I am not on a bus route, so if there is need for a

shuttle bus, let me know. I don't mind the drive to Tim Horton's at Findley Creek in the morning.   Courses start at 9o'clock sharp, and go for a pretty solid day which ends at around five. 

Depending on the heat levels, I may start it much earlier.
     

The first block assumes you know NOTHING about metalworking of any kind, and will cover steel gauge sizes,  how to change tool bits and blades, the tools involved in armour making, and how

they are used. That being said, to avoid wasting all of our precious time,

You should already know:
        how to use a file, a hacksaw, a jig saw, a hand held power drill, a drill press, bench grinder and a bench vise.
        the metric system, the awg system, the sae system, and standard fastening systems.
        the use of safety equipment...eye, ear, fire fighting
        the names of various armour pieces
      

    At the end of the two days, you will know all the parts of the armour, anvil and what hammer to use, and when and on what.   You will become very knowledgable about safety equipment.   

You will know how to roll an edge, an introduction to the English wheel, and how to make a simple breastplate.  You will become familiar with shears, drills, and leathering of armour.  You

will be able to mount buckles on belts, and learn how to tie a ring buckle.  The third day is a practice day, in which you get to finish the projects embarked upon.  Since this last is only a

practice day, you can safely skip it, and do your practicing at home.  You will go home with a breastplate which is made to fit you.  Perhaps a back plate as well.

    The first block is required to go on to the second and third blocks. Some folks have an existing shop knowledge, and don't really need that basic course.  You can challenge my eqivalancy

exam if you like. email me at MarshalBill@gmail.com and I will send you the list of questions. You either breeze through them, or you gulp and realize (as I did!) that there is a huge body
of knowledge you didn't even know you don't know.


The second block is also two days, and will deal with more complicated tasks such as articulating joints, finishing of metal, and hinge riveting.  You will learn tuck pointing, shrinking,

finishing with a surface plate, raising and dishing.  You will go home with a pair of knee cops.  You will learn how to colour leather, and mount different styles of buckles, and learn how to

make them. Eyeletting of both steel and leather are demonstrated. The basic armour making class is required, or equivalent.




The third block is the tool making block, where we will introduce you to multi metals such as brass, aluminum and stainless steel. Some work will be done with different leathers and furs. 

There will be an introduction to repousse, and a segment on how to make tools with which you can push the metal out.  Tool preparation, polishing and modification is explained succintly.

Polishing of brass and hardend steel tools is explained, with particular emphasis on how to make your own polishing station.   Colouring of metals, and texturing the surface is covered.  The

basic armour making class is required, or equivalent. You will go home with a pair of vambraces with your coat of arms embossed upon them.



2012 block 1  Thursday and Friday  May 31 and  June 1
     block 2  Thursday and Friday  June 14 and June 15
     block 3  Thursday and Friday  June 21 and June 22
     block 1  Monday, Tuesday 25,26 June.  (An optional date if there is considerable demand)
     block 1  Thursday and Friday  June 28 and June 29
     block 2  Thursday and Friday  July 12 and July 13
     block 3  Thursday and Friday  July 19 and July 20

Monday and Tuesday middle of June are available for block 1 (basic armouring) if there is demand.
Book your time slot now.  email stag@southtower.on.ca, or marshalbill@gmail.com
I accept VISA, Mastercard, and American Express.

Cost for the basic two day block is $220.80
($80.00 ($10.00/hr) + $10.40hst + $20.00 (materials) per day)


I will also accept TradeBank dollars, One World Barter Dollars, Canadian Tire Money and South Tower Dollars
A paid reservation is a confirmed reservation.
I limit attendance to three minimum, six maximum
Crash space is available if needed. 
Safety boots are required...likely your own safety glasses will be more comfortable than my old beat up ones.
 
Phone 613-821-1846, or fax 613-821-9947



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