Wisby Armour

When I make something like a gauntlet, or any other piece of armour, I try as much as possible to check out the existing originals. The battle of wisby is an excellent example of armour which was not pretty enough to end up in a museum, and yet was clearly used. These illustrations are the ones I use to create my own "South Tower Gauntlet", and were taken from an original copy of "Armour from the Battle of Wisby", available in much less expensive reprint from Chivalry Bookshelf.... http://www.chivalrybookshelf.com/titles/wisby/wisby.htm

A very useful book...and high on my recommendations for useful books for anybody serious about making armour.

RenFaire Armour

Nice looking stainless steel armour. A Knight from the "Knights of Valour", at the Renaissance Festival at Upper Canada Village, in Ontario, Canada. The horses seemed to enjoy themselves. The armour looks pretty solid, though when you look at it really closely, you can see that it is pretty scarred up...after all these guys really DO joust at each other!

I don't know much about this armour....but it is pretty and it works well. What more could you ask? The wearer told me the name of the maker, but it went in one of my ears and clearly flew out the other!

Painted Armour from Prague

click on these images to enlarge. Above is the morion.

The shield.

And the breastplate. I believe it is the lion of St. Mark.

Fairly straightforward single piece armours, which have been decorated with oil paints.

Thanks Pierre for these pics.

Later period Prague Armour

This later period armour is a very good looking "ordinance" armour. It is a nice, 2 piece breastplate, with high "stovepipe" gorget, nicely made spaulders which have a totally needless but very cool rondel in the armpit, and great big "mitten gauntlets. This is a battle armour, and it might have been tough enough for the joust...but the lack of lance rest suggests that it is not really for sport, but rather for use. Plus the Morion helm was never used for the joust. (this is assuming of course that the helm is continguous with the armour...grin!)
Note the big "dent" in the armpit from which the rondel is suspended by cords. This is how you can tell front from back! That rondel must clang like the clapper of a bell unless it was tied down by a hidden thong.
Another good detail is the pin which holds the spaulders in place....there would be cotter pin to inserted through that post on his shoulder to hold the shoulder armour in place, and that post would also provide a hinge point for the armour to move around.
The Morion helm is in period to this armour....designed to not only look really big and nasty, but also to shed arrows and sling stones. I have seen and handled original morions, and for some reason, they are almost all raised up from a single piece of steel. I am not quite sure why...but unlike most helmets, the Morion seems to be a real "show off" piece for the armour maker. I would think twice before doing all that raising! I would probably build it up in halves...they just didn't! The cheek pieces are more complex than they look....they actually swing out past that big visor, and the chin strap is attached to the inside of these cheek pieces.
As usual, the Bohemian armour has the flared gauntlets rather than a complex and delicate wrist joint which marks the better French and and some German armour.

click on the image to enlarge....

More Prague Armour

I love the leg armour on this model....it is crisp, clean, and very straightforward. The wings on the knee cops have a sort of "lotus leaf" look to them.

What a great cod piece!

Absolutely gorgeous finger gauntlets.

Do you think this guy was royalty? It "does" seem like a lot of face is showing here though.

And here is the whole armour. Click on the image to enlarge. Can you spot the problem with wearing this armour, and for that matter, the one in the background? A prize to the first person who comments to identify the w.t.f.

Swords

click on the images to enlargeBill examining a couple of swords which seem to have been damaged.

closeup of the bell. I think it could use another brightening to perk up the gold. That gold layer is pretty thin!

These ones made it all the way to Vimy Ridge last spring for the ceremony. I was thrilled to be watching this very same sword saluting the Queen.

This is the Eagle headed air force sword. The air force plaque is raised on a backing, and is the exact same "albatross" which appears on the cap badges of airmen in England, Canada, and all the other commonwealth countries. This eagle (we only call it an albatross) transcends nationalism, and like the fouled anchor is the symbol of sailors, the albatross is the symbol of airmen all over.

Prague Armour

click on the images to enlarge.
above is a lovely splinted armour, with wide placqart flare. Difficult to imagine exactly what the rest of the outfit would look like...I suspect it would be pantaloons, with minimal leg armour. There does not seem to be provision for faulds and tassets.

This is interesting....the Belgian style legs which are extensions of the faulds. They certainly look very nice....and the lames appear to be joined without any leather at all. This might imply some very tricky fitting. The globose breastplate must have taken an inordinate time to pound out, and that gorget looks like it is integral to the armour. Neat idea.

Above is another of the same idea, however the breastplate is much more reasonable...a Peascod breastplate, made by slitting a triangular section out of the bottom third, and welding it all back up. The fastest way to make a breastplate.

Above is just such a peascod breasplate. Note the glaring absence of holes, mounting plates, or anything which will help this armour stay on. This armour was never used. The slight wobble in the centre line may have made this armour unsaleable, and so it ended up on display.

These are part of the set that Pierre took when he visited Prague castle.

Thanks you Pierre.

Armour from Prague

These are closeups of the armour from Prague....the spaulders. Compare them to the ones I made below! I honestly don't know how they could move their arms forwards....that big forward wing would just ride up into their neck!
I'll have to study this armour some more. It "should" be fairly simple...but the mechanism on how it all works seems clumsy to me. I don't believe an armour make that can do work that good would make a clumsy armour.

Thanks Pierre for the pictures. Tomorrow I will post the full armour.

Sgt P.s Armour

click on the images to enlarge. This is Sgt. P.'s armour...its a little skinny for me, but I think I am bulkier than he is. These go over a breast and backplate, and may need to be squashed or tugged into position a bit when he finally gets to wear it and see how it fits. Should not need too much modification however.
In this picture you can see how it articulates.

Above is a good view of the shoulder. I rather like the look. Obviously, some more work has to be done on the basic shapes, but this is functional, will work well and doesn't look too bad. Since this picture has been taken, the points on the lower spaulders have been truncated to match the back. I just rushed to get this picture taken while there was still some light.

Upon reflection, the bottom lame, the one at the elbow, might be a bit long. Though of course, its primary purpose is to hold the elbow cop. On the other hand, it is easier to shorten the leather holding the lames than it is to lengthen them. I will have to see how they fit him when he has them on before drilling out the leather rivets for a final fitting. But that fitting job is part of the contract, and will needs to be done.
This is the back wing. You can see the roll around the top edge where it goes up against the neck, but I gave up on that big outside roll down towards the arm and did a nice flare instead.

Lots of work with the english wheel, lots of hammering, and some funny leathering allow this armour to articulate well, fan together in front when he makes a strike, and all in all, work as a functional spaulder.

The black armour from Prague Castle

click on the images to enlarge.
above we see a detail of the sabotons. 8 lames in the soles mean this fellow would be able to walk just fine! I personally love the 4 lames at the ankles. This is a very sophisticated armour!
The knee cops are, well, competent. They are a sort of standard four lame knee cop which, like the rest of the armour, has been fire coloured black, and then gilded. I am sure the gilding added a lot to the price of this otherwise quite plain jousting armour. I am a little surprised about the thigh armour....these are articulated cuisses! Go figure! Never saw those before! Must have made the armour really comfortable to wear. The long articulated tassets are representative of that period of history. They stopped wearing the big faulds since of course, the lames were too delicate to withstand the impact of the joust lances, and the smaller tassets, in addition to being more comfortable, were less expensive to replace after tourney season.

The mitten gauntlets. I think I have made just the same sort of mitten gauntlet! This is for the rein hand, and uses straps across the palm to hold everything in place. This is a departure for this period and location since the standard was to have a leather gauntlet made with flanges onto which the gauntlet pieces were riveted. This very common mitten gauntlet works well for the left hand since it really does not need delicate fingers to hold onto the reins.

Thank you Pierre for this picture. Great stuff.

Pictures from Prague

Pierre took these pictures from his visit to Prague Castle. This is the biggest castle in Europe, and the armour is really quite interesting. It looks too new though! Maybe it is just being really well kept! click on the pictures to enlarge.


The above picture has in the foreground a couple of really pretty dog faced bascinets. And lower down a couple of the morions which became popular in the renaissance. These are northern European morions, and they don't have the little tag at the top, but the one on the left has a comb, and the one on the two lower down on the right are the tall "high hat morions" that must have taken a smith an uncounted age to make. The lower one has a flat brim. Very unusual.
The three bottom helms are clearly jousting helms....those very narrow eye slots. These are the helms you usually see on coats of arms, and is the helm which is assigned to an esquirry. The bottom helm is also a jousting helm, but there is something interesting going on in back of it! Maybe you get into it by opening the back.

Any single one of these helms is worthy of extensive discussion....we can only happily look at them and think about the times they would have had to wear these!

The top three are "spectacle helms", and they look like spinnings. You can even see the horizontal tool marks from the spinning tool in the middle one! I love the way the sides draw upwards on the sides of the skull in one big swoop! Wonderful! The little lathe turned spikes are kind of cool...one wonders why they bothered....but hey, it makes the wearer look tough, and maybe that was the point.

The nasal helms all down the right are clearly hammered out from stock of some kind. The hammer welds are really good, which implies they are actual iron, rather than the modern steel. The Norman Helm (second from bottom on the right) seems to still have a leather chin strap hanging off it. That would have to be a more or less modern addition since it is unlikely that leather would have lasted some 900 years! I like the shape of the nasals though....very nicely done.

On the left appears to be a grilled face Roman inspired Norman Helm. That mongrel would require closer examination. I have never seen anything like it. Again, it appears to be built upon a spinning, with some decorative brass spangens.

The middle bottom helms are clearly Helms...designed to fit over top of a helmet. They don't need to be pretty to be functional! These are battle helms, and would have been used in battle, not the joust.

SUNY Demo 08

I was not fighting at this demo, but I thought my readers might like to see the range of armours being used by the SUNY medieval club. Lots of good action. Check out the catapult in the background!